following the success of his debut ep, komisch is delighted to put out the next instalment from sp-x. like his first release, the three tracks on field lines never end capture the essence of contemporary techno - austere and functional, yet deeply resonating. field construction starts with crackle of a broken power cable accompanying brittle percussion and a juggernaut rhythm, before dank filters, distorted riffs and a combination of doubled up claps and hissing hats bring the track to an irresistibly dark climax. internalize follows a similar path, but straight away sp-x plots a more ominous course, with a muffled filter making way for jarring riffs, a grubby acid line and killer claps. last but certainly not least, flux is constructed using dense rhythms, deadweight, iron bar beats and a howling siren riff that sounds like it came from beyond. all the while, sp-xs rasping, firing percussion weaves in and out. these are deadly effective techno tracks, streamlined for use on big speakers - but dont take our word for it, try them out yourselves!

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

a1. (lars hemmerling : hedgehog in the fog) industrial sine waves meets frozen echo sculptures in dub, an intense bass journey from dub till dawn.... b1. (gunnar hemmerling : stranger ranger) :broken beat programming + dancehall bassline laid in an atmospheric enviroment / industrial alike soundscapes.

originating from argentina, savor music is a multi-cultural project that aims at bringing out our favorite flavors in sound. the leading forces behind the project are cape and jorge savoretti, both natives of the city of rosario. savor music kicks off underlining the madrilenian connection, so dear to us. it is represented here by our great friend papol of the esperanza crew. developing his sound release after release, he allowed us to pick through his best tracks in order to inaugurate our 12 inch vinyl series. on the a side, first up is >before tea<, a strong driving bomb with a crossover appeal. on a2, ekkohaus delivers a surprising broken beat take of >dub 2010<.

nice price deal !!! bad cop bad cop is the moniker of two of germanys most inventive and unique producers, lopazz (zz badcop) & alex cortex (xx badcop). the boys deliver two peak time dancefloor techno tracks – a pretaste for their upcoming album on pomelo (to be released in 2011).
side a - cherry tea : a broken beat monster which builds and builds and is set to cause serious damage on the more adventurous dancefloors.
side aa - life on stage : features the more conventional but not less stomping 4/4 jack track, another one for peak-time madness.

with this edition of thunderdome changes will be made, barriers will be broken and we are going back to the core! all styles are mashed up and hardcore is brought back to its main core.

already the second release by stocker on the corestyle label. after his succesful >competition ep< (which was released in december 2009 with a cool matt green remix and 2 releases for hardcvolume) he is now back with a 5 track ep called >funkmachine<.
the ep starts with the dark & hard >away from reality<, followed by >see the dark<, a more melodic track comparable with his >gamemaker< track on the last ep.
the flipside offers the title track >funkmachine< in the original mix, followed by a dirty technoish funky hard industrial remix by us top producer broken rules, known from his releases for industrial strength, industrial movement and many more.

it would be a complete mistake for any house imprint not to include a us talent in his catalog, this wont be the case for apersonal music. on its third effort the label takes his first journey to the grounds of american house. from arizona, michael j collins with remix rework from bostons house-sons soul clap, plus the first collaboration for apersonal from maurice aymard. a side single nothing wrong with holding on show us the most eclectic side of the label so far. looped vocals, broken house with a saxo on top. michaels talent goes beyond genres mixing elements from different styles to create this great piece of music. soul clap delivers, as usual, top stuff! in their remix they speed up the bpm and add a hip-breaker bassline taking the original track to the dancefloor war zone. second remix from maurice aymard, himself at the controls plus venezuelan producer garnica hitting the drums, they take the track to a trippy slowmo version, what maurices catalogs as his best remix so far.

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.

supported by: loco dice, reboot, josh wink, martin eyerer, marco carola, hell, timo maas, onur Özer , andre galluzi, federico molinari, gregor tresher, anthony collins, raresh, martinez, nick curly, alland byallo, chris gruber, markus schatz, delete, mathias kaden, miss jools, paul hazendonk, kiki, till von sein, markus fix, sven tasnadi, mirco violi, fabrizio maurizi, enzo siragusa, tini, gavin herlihy, robert dietz, davide squillace, kabale und liebe, ana, karotte, julietta, audiofly,.

new kanada presents a collection of superbly deep and tight emo house tracks by seuil. all three cuts here are made for the long mix, blending elements of classic house, deep techno and random dopeness into a very modern whole. >nine clouds< is a classic slow-acid burner with a long broken intro that unfolds into deep space. 93 hardcore meets global communication. >blank love< is a hazy delicate jacker with long noise echoes, an elastic lead and dripping steel drums … >lonely place< is drifting so far out, its almost gone … sublime and mellow, old and new … serious 10am vibe on this one.

nice price deal !!! support from: sinden, mary anne hobbs, 2562, martin kemp.... the one man hit-factory that is t. williams returns to deep teknologi records with another concise snapshot of the uk underground house scene with a barrage of intricate ammunition for the dancefloor. lead single >chop & screw< marches along with its broken beat-esque drum pattern and balearic sirens whilst >hard cash< is a foray into the deeper side of the s.a house scene with exquisite sublow bassline progression and raw percussive tribal drums that really take centre-stage. the e.p. finishes off with a firm favourite from the deep teknologi mix series in the shape of >in the deep<, an after hours roller with a devasting drop and stern low-end to boot

uhhh my god! this is sheer madness! you cant put more powerful unbelieveable murder mashup breakbeat on one record. this is the total dancefloor killer wax. 5 big names and 4 huge tunes. from crazy fun breakz over cool funk grooves to skanky breakbeat madness and blasting broken beat disco style. anytime in any set you can include this nugget of gold and get the crowd banging. have it!

deadly serious new voyage into the unknown by a made up sound? weirdly emotive, yet banging machine-funk with punching low end on the a-side, far out metallic broken-beyond-repair beat science on the flip. soundsystem material for the year 2050?

knallfetter old skool angehauchte detroit techno tracks... killer on booth sides

after a recent short n sweet stint on tensnakes mirau imprint irish ex-pat mano le tough reemerges on internasjonal where he first saw the light of the day as a producer with the much acclaimed warhorn. yet even with such a rather small, straightforward discography mano managed to sculpture his unmistakeably very own style fusing the deeper shades of house and techno with a strong melodic sensibility that one would never even get the faintest idea to file it under the mostly bland tech-house genre. oblique boast a perfect effective dramaturgy with slighty spooky broken melody box theme rising out of a thick mist of grinding chords before morphing into a deep acid finale. french gentlemen of distinction and many styles chateau flight toughen up the beats and throw in some african wood percussions and sparse psychedelic dub effects for a superb rhythmically multi-layered rework.

there was no doubt that label boss fred everything wanted to get his hands on the remix, taking a similar approach to his recent juno-chart-topping disco remixes of hot toddys down to love for oms sub-label smoke & mirrors. fred ups the tempo a little but instead of going the 4/4 route,he uses a laidback,almost freestyle beat over a crisp production. this is house-not-house at its best!also included is the bonus track from blacklodge called >broken promises< which shapes up as another late night monster.early support from danny krivit, mark farina, tortured soul, nacho marco, franck roger, lovebirds..

ikonika & optimum are proud to introduce their highly anticipated new venture: hum + buzz records. this double a side debut release is right at the centre of the current uk crossover, post-genre sound. first up, >aqueous cream< explores a different sound to the one ikonika delivered on her recent hyperdub debut album. a dancefloor ready track with smooth sub bass, staccato piano chords, trademark emotive synth-leads, underpinned by tough kicks, sizzling hi-hats and ricochet snares. on side aa, >ampersand< marks ikonika & optimums first official collaboration. layers of synth melodies float above a steady four/four pulse and unpredictable claps. an angular, broken, melodic march at a house tempo.

bad chemistry is already on its 3rd release and none other then spktrm is on the case to break a new kind of branch to the bad chemistry sound. anomalous singularity is deep, broken and darker then the cave it was made in, rattling drumfunk esque patterns immerse out of the dark pits sucking you into brand new territories, f.w.c. is totally different, staying true to his roots spktrm goes in with guns blazing. hyped up kick & snare switches make sure this one will go down with the core posse with ease!

the long awaited 2010 album by the gorillaz finally on proper double 12 inch vinyl in gatefold cover!

mistanomista is a musical and social project, the main purpose of the group is focusing peoples attention on regaining peace in tajikistan. friends will be friends!. >detroit session< is a tribute to 313 house scene strongly influenced by moodymans music, live funky bassline and jazzy chords mixed together with smooth broken house drum patterns, raw deepness and timeless music for sunday morning party. on the other side >take 1< catch the attention of deep house heads a stunning bassline track with synth dubby texture effected with many echo-delay shots, keeping the vibe on the underground side of house music.

limited pressing especially for the subway destination lp if you havent heard about this one you have been living under a rock!one of noah ds biggest tunes to date has gotten the vip treatment. for a while now this one has smashing up the dancefloors & festivals left and right from the atlantic. a seeeriousss vip for a seeeriousss riddim. heavy play support comes from the likes of europe heads, skream, benga, joker, hijak, 16bit, trolley snatcha, doctor p, flux pavilion, 501, the others, emalkay, noah d, antiserum, 12th planet, spl, djg, broken note, n-type, seven, matt-u, akkachar, taz buckfaster, marlow, hatcha, jakes, komonazmuk & alot more!

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

soulful broken beats by vikter duplaix from 2000 and funky disco by machine, made in 1979.

the final part to the limited edition hi five mobilee! vinyl series features tracks from mobilees head lady, anja schneider, and one of the very first artists on the mobilee roster, sebo k. each of the artists careers have grown and flourished with the label, and whilst retaining many elements from their signature styles, these tracks also show how they have developed their sound over the last five years. sebo ks way back comes with a funky house bass line and colorful synths, creating a very full and warm sound, and one that is topped with an element of old school vibes. as with all of his releases, its classically built for the dance floor and one that will be enjoyed by many. meanwhile, anja schneiders >something left<, has a more minimal and isolated feel to it, broken up with the soulful voice of cari golden. completely contrasting to sebo ks a side, it makes this an interestingly varied release!

mkl the man that brought us the thought provoking 3 generations slavery days returns to spiritual life reworking this organic female vocal. teaming up with soy sos again mkl delivers a smooth almost broken beat version, with beautiful strings and live jazzy double bass. on the flip a smoked dub take that really works out the vocal through a maze of trippy tape delays. mkls productions are simply amazing.

pure electronic beauty from chicago based producer m50 aka area. we are really feel that stuff and gladly share it with you.

for release number 5 well rounded goes deep with the debut release from donga & blake.
label owner donga met blake when both djd at brightons forward thinking drum n bass night carbon spinning similar shades of the deeper end of dubstep. this lead to the idea of hooking up in the studio, and whilst initial experiments at 140bpm were promising, it wasnt until they decided to lower the tempos to housier speeds that their sound clicked into place. this sound is a balanced fusion of soulful house, deep textured techno and rhythms absorbed from garage, funky and broken beat. these 3 immaculate tracks have a simple appeal but also contain many layered sonic details for the closer listener.

now in its 3rd release, fortified audio give us this blazing e.p from one of garages finest newcomers: cosmic revenge. hailing from san francisco, cosmic revenge first made an indelible mark on the future garage scene with his >psychic< e.p on whistlas l2s imprint. the tracks from >cold hearted< explore the far-reaching range of cosmic revenges tastes and influences, keeping the usual crisp 2-step beats and vibes while incorporating elements of deep house and techno, the right side of rnb and broken beats that wouldnt sound out of place on a classic domu record. hurricane blues kicks the ep off with some deep, bleepy garage, mutations is his take on uk funky, lead track cold hearted a ridiculously swung roller with boards of canada influenced atmospherics, and late nights rounds it off with a sleazy talk box love-step jam. with this e.p, cosmic revenge is sure to up his status as one of the leading lights in a genre that has seen unbounded progression over recent years, not to mention soundtrack your balmy summer nights. support comes from martyn, shortstuff, mary anne hobbs, jackmaster, whistla etc

more deep and moody grooves from mike grants label. greg stadford is behind the monkier black art who’s previous production credits have included mixes of blake baxters seminal deep n da groove ep. nice and jazzy the favourite cut is just groovin a wicked blend of st germain keys and funky organ riffs, over some skippy detroit drums. dig this is a mellow late night journey of psychedelic horns and guitar licks with dreamy pianos floating over the top. ‘sweet’ is more on a broken jazz tip with live drums and a cute vocal snip that dubs itself over the rhodes bed. the production quality of this ep is stunning. very strong stuff from m & g!

rob paine solo ep, featuring a wicked 2-step/broken beat mix.

taking the freaky chicago sound down a couple of notches to the deeper realms of jazzy house. heavenly vocals, light broken beats, rolling live bass and touching rhodes progressions. the flip dives deeper into an instrumental version of the latter and is none the less satisfying.

italian broken beat / tribal house, made in 2002 by sergio casu. same version on both sides.

tiefenschoen as an lp is a complete whirlwind having a raw and dirty feel to it, albeit without losing focus on the original and well-known jean f. cochois sound. this is an extremely strong club album with a powerful recognition value – not only musically, but also visually thanks to its album cover. it stands out as it has an overall concept and, throughout it, a sense of continuity from beginning to end.

the creative swing alliance consist of the 2 producers pablo valentino and steven-j. pablo is responsible for the faces records label & his recent subdivion called motor city drum ensemble. steven-j released records on compost records, soultronik & jazzmin and played double bass for the japanese jazz band >sleepwalker<. they both come from the city of strasbourg fr, shared turntables & droped parties for more than 10 years together. the concept for the csa project was very simple: they locked themselves for one week in pablos attic to work 7 days on 7 tracks all named after the days of the week. bonzzaj records selected for this 12inch their 3 favourite tracks: on >monday< pablo and steven-j created a heavy opener for their project. bumpy they riding their mpc with a deep diving bass and wonderful synths. simbad turned the original >monday< into a heavyweight soulful dancefloor filler mashed with good old west-london broken beats. an essential dj weapon! naturally within the week you can hear some different moods while other friends/artists where passing in the studio...for example on >thursday<, when kira neris joined the alliance to create a spaced-out and captivating disco journey with a wonderful soul sample. last but not least, >saturday<: dusty old jazz records and beat generation hip hop for the b-boys and b-girls! raw! strong stuff for fans of bullion, onra, the linkwood family, etc! limited edition... so you better watch out

this ep follows up the great success of black coffees >turn me on< and the latest gogo music smash-releases. >complicated< by >ralf gum feat. kafele< and >hard time for lovers< by >rocco & c. robert walker< in an excellent way. supported by halo, show b, dj dealer, dan ny marquez, luis radio, jamie thinnes, vinny da vinci, …

meet desto. we found him wandering the streets of helsinki, eating canned tuna and drinking the water from a tin of hot dogs, desperately clutching armfuls of sticky future garage. starting off in spacey 2step rhythms, falling over bassline, and breaking down into an euphoric 8 bit cascade, the epic >disappearing reappearing ink< finally reaches wax after being in the boxes of pretty much everybody all year. on the flip, >broken memory< was given its first exclusive airing by oneman on radio 1 to much acclaim, and takes more of a straight up approach, and retains all of the fluid c64 chiptune beauty.
dj support from rob da bank, oneman, brackles, sinden, floating points, clouds, mary anne hobbs.

here comes the second release on the pattern repeat label. pattern repeat is a new music-project and label by kenneth christiansen, echocord & echocord colour label boss, and his partner dennis bøg aka resoe, running the baum label.the pattern repeat label will only contains productions from kenneth & dennis, and the music is focused on the modern berlin techno sound today, dubstep and dub-techno. pattern repeat will also release records on other labels, so far the first one is out on echocord colour. kenneth and dennis met eachother 8 years ago when they worked together in at that time famous copenhagen-record-shop >loud<, which closed 5 years ago. at that time dennis was more into broken beat, hip-hop and deep house. kenneth was already running the label echocord, and soon dennis started his label baum. the label baum is also like echocord, releasing dub-techno, and dennis started to release his own material as resoe, and builded up his studio the years after. 1 year ago we decided to try to do a new project together, working together in the studio, and now pattern repeat is born.

laying low in the cut after the much lauded >recession vol.1< mix album and his wrily-titled futuristic crossover >euro dance hit<, caravan label head honcho julian smith aka october returns from deep studio retreat with possibly his best, certainly most forward thinking dance floor record to date. as always october takes a big slice of his inspiration from the detroit techno sound of the 80s and early 90s which is clearly evident on the second cut on this plate in particular. however you simply cannot ignore his perhaps more euro-centric dub tendencies and broken-beat rhythm principles that always inform his overall composition and production ethos.

dj support: peaky pounder, the dj producer, broken rules, lenny dee, tymon, ophidian, dj smurf... yes yes, release number 6 is ready to hit the industrial floors. this time we present you various (most of them already well known) artists on one ep.

kicking off at least we can dance is an extended dj friendly version of the original track, featuring production from the dp team of sharp and zed bias. this extended cut is dekata project at their soulful house best, with heavy beats, jazz keys vibes, horns, funk undertones and soaring hook lines. on the remix tip, check out the heavy hitter nu:tone, with his high energy drum and bass take on the original, dripping in heavy basslines, intricate beats and synth builds that make you want to dance the summer away into the early hours. currently causing a stir in all dance music circles as one of the main instigators and contributors to the hype and buzz that is the uk funky scene, roska steps up with his cant stop dancing mix. using broken beats, garage, grime, dance hall and house vibes, roskas unique sound has critics and compilation makers hailing him as the new sound of londons dance scene, having recently featured in the guardian and mixmag.

after its first release rework closer moved bass cadets and techno heads alike, the label returns with some fearless offbeat pressure in round two. a side sun touch aint about cherishing the first sunshine in springtime – rather like a fierce ray of light hitting you right in the eye, darkening everything for a moment. killer broken beats, rumbling subs and a gloomy atmosphere run the program until a nasty acid line takes over and funks things up even further. drain on the flip continues where closer (ams01) left off, the warm synth blanket this time appearing as a melancholic drone sequence over beats syncopated to the max. bonus cut untitled is the 2006 original of a tune bass music heads will be familiar with by now... beats from the machines, heartfelt lfo’d chords and arpeggiated bleeps round off this uncompromising twelve.

pattern repeat is a new music-project and label by kenneth christiansen, echocord & echocord colour label boss, and his partner dennis bøg aka resoe, running the baum label. the pattern repeat label will only containsproductions from kenneth & dennis, and the music is focused on the modern berlin techno sound today, dubstep and dub-techno. pattern repeat will also release records on other labels, so far the first one is out on echocordcolour. kenneth and dennis met eachother 8 years ago when they worked together in at that time famous copenhagen-record-shop >loud<, which closed 5 years ago. at that time dennis was more into broken beat, hip-hop anddeep house. kenneth was already running the label echocord, and soon dennis started his label baum. the label baum is also like echocord, releasing dub-techno, and dennis started to release his own material as resoe, andbuilded up his studio the years after.1 year ago we decided to try to do a new project together, working together in the studio, and now pattern repeat is born.

after their great debut >motzbaz / indeed< on afao recordings and the following 12inches >hello kool nice< and <langenthal ep< on quintessentials recordings, which found its way into the bags and charts of djs like quarion, laurent garnier, jimpster and many more, jagged strikes back with a 12 on bonzzaj recordings. this single also contains a hot remix by the dutch multi-talented man aardvarck, one half of the rednose district. jaggeds productions are restrained and minimal in the right way - they doesnt let things get overloaded. they focuses mainly on straight beats and functional house music but always with the right ingredient of soul and rawness. the title track ten to twelve is a heavy cut with a lot of disco influences, funky basslines, cool house-grooves and surprising changes all over the track. the remix of ten to twelve comes from aardvarck, who releases on rushhour, kindred spirits and delsin. he transformed the original in an broken beat stomper, which sounds like it emerged straight out of londons co-op. the b-side contains chicago, a deep house number with forward going percussions, warm strings, oldscool-house-vocals and a slight acid flavour and last but not least the track an orange drippin, which takes you with its deep synth, percussions, basslines, bells and things in the deeper shades of…jagged nation. hot shit gesundheit

resoe comes up with a great mixture of dub techno & deep house, detroit with a broken beats and a dub step track with a hypnotic melodica and a deep fat bass. resoe is a partner in crime of kenneth christiansen who runs echocord and is the other half of the pattern repeat project

this funky / broken beat 2-tracker is the first release on hector moralez minority music imprint, made in 2003 by phil weeks.

played by: richie hawtin, raresh, cisco ferreira (the advent), matt star, xpansul, nicolas duvoisin, mirco violi, frank leicher, sebastian altstadt, locke aka dermaptera, sean o neal (someone else), jon gurd ...
igor jadranin aka en-tropic signs his new ep – >between two extremes<, for the record label underground limited.this release clearly proves igors unmatched talent and maturity in music production. the lead theme of this ep >between two extremes< – a very deep and powerful theme, carefully broken by rhythm and still a gentle and emotional jazzy looped composition – is surely my personal favorite from this release.cooperation with marko vukovic is embodied in the track >back again< – a minimal deep house filled with rhythm, not the kind of rhythm produced by percussions and other drumming instruments but rather by a cut vocal and dirty synth, which breathe soul into this theme.
>zero loss circuit<, which has an expressed club spirit, is the ideal piece for building an atmosphere in a club. igors music definitively deserves a spot on every good djs list.
(zoran petkovski review)

a new mostiko vinyl hits the shelves!! armin van buurens new single finally available on vinyl! kurd & rud deliver their best record to date a remake of the most answering machine lyrics to date... dj rebels & ftws follow up is a hit and already high into the top 15 of the belgian single sales chart and than theres perfect moment which is in fact always a perfect moment when dropped on your floors! massive support on this one from all the big players